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Earthen Retreat collection

Earthen Retreat

John-Richard

A hallway in late afternoon, plaster walls holding the heat. The Terra credenza runs nearly eight feet along it, beech in Smokey Paldao split by a chasm that Cheddar Gold rods bridge under glass.

In the alcove, the Creekside chest carries two bands of textured satin brass across straight-grained eucalyptus. Above the credenza hangs five feet of Zana Brown, ivory and blush on ebony.

Sculptural Silence collection

Sculptural Silence

John-Richard

The furniture stands back and lets the water carry the room. A Palm Springs table, sixty-one inches of white agate on a polished brass base worked as leaves, takes the light first.

The Soledad lounger turns on a polished steel base, upholstered in Poplin Granite. Behind it the Florentine credenza carries hand-painted glass doors in silver and gold.

Modern Grand Tour collection

Modern Grand Tour

John-Richard

An apartment at dusk, the doors still open. The Vallejo cabinet lights three adjustable shelves behind glass, Celtis veneer in Antique Beluga with hand-carved moulding and Distressed Gold trim.

On the Latour chest, the Untamed bust is broken open by clear crystal. Above it, fifty inches of Tony Fey: a profile built from clustered metal fragments and gold leaf.

Sunlit Stillness collection

Sunlit Stillness

John-Richard

Early light, the doorway open to an olive tree and a pool. The Faro credenza runs along the wall in a Radiance finish that fades from black to gold on a Gold Stucco base.

The Zen Garden lamp branches in brass and aluminium, bark-textured, carrying a glass lantern. The Sonoma chair turns and returns, Monk Pattern Parchment inside, Desire Copper out.

Premium Entry

A small group of flagship pieces we keep listed year-round. These are held at full value and are never discounted.

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Pricing and availability

Prices, lead times and dimensions are confirmed against Meridien records before any piece is quoted. Where that data is still outstanding, the piece is listed as price on enquiry rather than carrying an estimate. We do not publish figures we cannot stand behind.

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