Collections, gathered around a mood

A hallway in late afternoon, plaster walls holding the heat. The Terra credenza runs 240 cm along it, beech in Smokey Paldao split by a chasm that Cheddar Gold rods bridge under glass.

In the alcove, the Creekside chest carries two bands of textured satin brass across straight-grained eucalyptus. Above the credenza hangs 155 cm of Zana Brown, ivory and blush on ebony.

An apartment at dusk, the doors still open. The Vallejo cabinet lights three adjustable shelves behind glass, Celtis veneer in Antique Beluga with hand-carved moulding and Distressed Gold trim.

On the Latour chest, the Untamed bust is broken open by clear crystal. Above it, 127 cm of Tony Fey: a profile built from clustered metal fragments and gold leaf.

Dark oak panelling, polished stone, a window over the city. The Ravine credenza runs along the wall: black mirrored glass on beech, a shattered relief forking across four doors in Etruscan Gold.

Under the Calcite chandelier, two Sandbar chairs turn on Cote Walnut bases, upholstered in silver Genova. Between them the Fessura table stands in two parts, Aztec Gold at the edge and Antique Gold along the split, under black painted glass.

A library at late afternoon, tobacco-toned plaster and dark timber shelves, terracotta underfoot. The Slope chair turns to a writing surface built in beneath the window: one continuous curve of acacia on White Brass legs, upholstered in Precious Metal Golden.

At its side the Beacon table, an oak top in a Shire finish over a Linea Oro base, a clear acrylic band between. Along the wall the Nova chest carries a starburst in rose silver across two soft-close doors, and the Dancing Butterflies lamp, 178 cm tall, stands by the shelves.