John-Richard

Earthen Retreat
John-Richard
A hallway in late afternoon, plaster walls holding the heat. The Terra credenza runs nearly eight feet along it, beech in Smokey Paldao split by a chasm that Cheddar Gold rods bridge under glass.
In the alcove, the Creekside chest carries two bands of textured satin brass across straight-grained eucalyptus. Above the credenza hangs five feet of Zana Brown, ivory and blush on ebony.
John-Richard
John-Richard
John-Richard

Sculptural Silence
John-Richard
The furniture stands back and lets the water carry the room. A Palm Springs table, sixty-one inches of white agate on a polished brass base worked as leaves, takes the light first.
The Soledad lounger turns on a polished steel base, upholstered in Poplin Granite. Behind it the Florentine credenza carries hand-painted glass doors in silver and gold.
John-Richard
John-Richard
John-Richard
John-Richard

Modern Grand Tour
John-Richard
An apartment at dusk, the doors still open. The Vallejo cabinet lights three adjustable shelves behind glass, Celtis veneer in Antique Beluga with hand-carved moulding and Distressed Gold trim.
On the Latour chest, the Untamed bust is broken open by clear crystal. Above it, fifty inches of Tony Fey: a profile built from clustered metal fragments and gold leaf.
John-Richard
John-Richard
John-Richard
John-Richard

Sunlit Stillness
John-Richard
Early light, the doorway open to an olive tree and a pool. The Faro credenza runs along the wall in a Radiance finish that fades from black to gold on a Gold Stucco base.
The Zen Garden lamp branches in brass and aluminium, bark-textured, carrying a glass lantern. The Sonoma chair turns and returns, Monk Pattern Parchment inside, Desire Copper out.
John-Richard
John-Richard
John-Richard
John-Richard
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